Iran Feature: Music and Resistance (Fathi)

Nazila Fathi reports in The New York Times:

Parisa remembers the precise moment she heard her first song by Shahin Najafi, an Iranian rapper living in exile in Germany, on her illegal satellite television in the small city of Karadj, west of Tehran.

“His words cut through me like a knife,” she said.

Parisa, a 24-year-old university student, stayed up long after midnight one night, when the Internet connection was faster, and spent six hours downloading Mr. Najafi’s songs to share with her friends.



Since Iranian authorities have cracked down on the demonstrations that rocked the country after a disputed election a year ago this month, a flood of protest music has rushed in to comfort and inspire the opposition. If anything, as the street protests have been silenced, the music has grown louder and angrier.

The government has tried all manner of methods to mute what has become known as “resistance music.” They have blocked Web sites used to download songs and shut down social networking sites, which were also used by the opposition to organize protests and distribute videos of government and paramilitary violence.

In April, a shadowy pro-government group that calls itself “the cyber army” shut downMr. Najafi’s Web site. The group, which hacked Iranian Twitter in December, left a message saying the site had been “conquered by anonymous soldiers of Imam Zaman,” a reference to the Shiite messiah.

In late December, the authorities detained Shahram Nazeri, a prominent Persian classical musician who had recorded the song “We Are Not Dirt or Dust,” a tart response to the words President Mahmoud Ahmadinejad used to characterize the antigovernment protesters. The government briefly took his passport, detained him and intimidated him; he has not released anything since.

But clamping down on music in the digital age is like squeezing a wet sponge.

Protest songs are downloaded on the Internet, sold in the black market or shared via Bluetooth, a wireless technology Iranians have adapted to share files on cellphones, bypassing the Internet altogether. Fans have also made dozens of homemade videos, setting montages of protest images to music and posting them online.

Read rest of article....