Southeast Asia Feature: Maher Zain, Technology, and Modern Islam (Foley)
Monday, February 6, 2012 at 6:20 | John Horne in Central and South Asia, EA Global, EA Middle East and Turkey, India and Pakistan, Music and Culture Maher Zain, with Fadly 'Padi', sings Insha Allah live on Indonesian television
Zain's songs clearly reflect a wide-spread feeling of discontent and a desire for a different future among Islamic and secular activists in the Arab world. His awareness of that discontent and of the need for hope is an element of his popularity—epitomized by an Egyptian fan who stated at his Cairo concert in March 2010 that she loved the "revolutionary" feel of his music, which was neither materialistic nor in line with classical religious sermons.
Zain tapped into this same feeling of discontent and the need for hope in the first song he released after the start of the Arab Spring, "Freedom." He premiered the song, which is entirely in English, in Malaysia in February 2011. The song thanks God for giving friends and neighbors the strength to hold hands and demand an end to oppression. It presents a vision for a new Arab Muslim society in which people will no longer be prisoners in their homes or afraid to voice their opinions in public. While Zain acknowledges that the dream of a new Arab society has yet to be fulfilled, he promises his listeners that they are on the verge of achieving it, that God is with them, and that he will not let them fail. In the background as Zain sings, there are images of Arab flags and protestors of all ages peacefully challenging their governments in the Arab World.
